- #THE LONE RANGER CAST 1955 MOVIE#
- #THE LONE RANGER CAST 1955 DRIVER#
- #THE LONE RANGER CAST 1955 CODE#
#THE LONE RANGER CAST 1955 DRIVER#
“Looks like you’ve got another passenger,” he tells driver Andy Devine, and western movies would never be the same. He stands, legs apart, a saddle slung over his shoulder, twirling his customized Winchester. John Wayne’s entrance scene seems to have been deliberately designed to introduce a significant new presence in the genre, as the long shot from the moving stagecoach closes rapidly toward a figure in the distance. Ringo’s marriage proposal to the prostitute Dallas (Claire Trevor), delivered with head bowed and voice wavering, is a kind of quiet, poignant moment not found in Westerns before Stagecoach. He is respectful toward women, but awkward and timid when it comes to romance.
#THE LONE RANGER CAST 1955 CODE#
But as Stagecoach became a template for the genre, The Ringo Kid established the John Wayne persona: a strong, independent man who lives by a moral code that doesn’t always conform to the law of the land. John Ford’s decision to cast John Wayne did not sit well with producer Walter Wanger, who wanted Gary Cooper. But beneath the surface, Dudley Nichols’ literate script examined the conflicting dynamics between the characters - male and female, North and South, high-brow and low-brow, valiant and cowardly - and the fascinating ways in which those dynamics change during the journey. Hailed upon its release as a touchstone in the evolution of the Western, Stagecoach is ostensibly a straightforward tale of eight passengers traveling through hostile territory. But it would be more than a dozen years before Wayne finally hooked up with Oscar for his portrayal of Marshal Rooster Cogburn in True Grit (No. John Wayne’s uncompromising portrayal of one of the movies’ most ferocious tragic heroes should have earned him an Academy Award. He remains outside, framed in the doorway, destined to wander his live-long days devoid of the comforts of home and hearth. In the classic final scene, Ethan returns Debbie to her family but cannot cross the threshold of their cabin. He’s seen too much, done too much, to ever be accepted into polite society. The quests end simultaneously, as Edwards, who had planned to kill the girl rather than see her raised as a savage, lifts her triumphantly into the air and lovingly cradles her in his arms, uttering four words that make Western fans cry: “Let’s go home, Debbie.”īut there is no home for Ethan. The embittered, bigoted Edwards undertakes an inner search for grace that mirrors his journey through Monument Valley. Ethan Edwards’ seven-year search for his niece, who is kidnapped by Indians, has the dramatic sweep of epic poetry.
If that makes watching The Searchers sound as exciting as attending a classroom lecture, nothing could be further from the truth. Even moviegoers who have never been to film school debate the film’s best camera shots. Francis Ford Coppola, George Lucas, Steven Spielberg, and Martin Scorsese rank it among their most profound cinematic influences. Unheralded in its time, The Searchers has become an icon for those who take their movies seriously.
#THE LONE RANGER CAST 1955 MOVIE#
I, with thousands of films and a century to span, but is there anyone who loves Westerns who doesn’t love The Searchers? John Ford may have written the language of the movie Western in Stagecoach, but with The Searchers he demonstrated a mastery of visual storytelling to craft a film that is the cinematic equivalent of the Mona Lisa. It would be impossible to come up with a unanimous No.
Check out the revised list that appeared in our July 2021 issue here. After nearly 20 years, we decided it was way past time for an update. Note: This is our original list published in January 2002. 2005: AFI's 100 Years.Here's our all-star round up of best westerns according to C&I readers, film critics, and big stars.The film is recognized by American Film Institute in these lists: Parts of the film were shot in Kanab Canyon, Barracks Canyon, and Johnson Canyon in Utah. Working with Chief Red Hawk, the governor, Tonto, a cowboy named Ramirez, and a humorous disguise, the Lone Ranger discovers the true identities of the raiders, prevents war, protects the tribal lands, and rescues Kilgore's daughter from captivity. The Lone Ranger realizes the natives wanted to keep settlers away so they would not discover the rich silver deposits on Spirit Mountain, while Kilgore wants to encourage a war between settlers and natives so that he can mine the mountain himself. Wealthy rancher Reese Kilgore (Lyle Bettger) wants to expand his land to include Spirit Mountain, which is sacred to the local tribes. Set in the American Southwest, the territorial governor enlists the help of the Lone Ranger to investigate mysterious raids on white settlers by Indians who ride with saddles.
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